The article then drifts into why writers of science fiction write what they do; are they writing to predict the future? Find out. The article is a great read for anyone who has put off reading Sci-Fi because they think the stories are of weird aliens (which there are), with unpronounceable names and places (guilty as charged), where the dialogue is robotic in cadence, which is false… except for maybe a few newbie writers of Sci-Fi that self publishing has afforded– a terrific thing by the way.
The article shows great insight from Sci-Fi authors, Matthew Kressel and Mary Robinette Kowal, both who have created great works. Do authors of sci-fi write to predict the future? I’m sure many do, but based upon my own experience, I like to think we write depictions based upon current, hyper-social events; like smashing atoms and looking for the sub-particles we expect to see, and spin it from there.
Looking at this picture of my past I can remember everything about that day: How I felt, whom I was with, where and why I was there. I can recall the smell the salt in the air and the heat of the sand beneath my feet.
But an odd thing happened the other day whileattending a wedding in upstate NY. Mywife and I took a short trip from where we were staying to see the home that our dear friends once owned; it was a warm and beautiful home, a camp as it is referred to, and one we had been to many times, tucked away in the Adirondacks along Upper Saranac Lake. This place became the inspiration for the ending to my Sci-Fi novella, November Seed.
When we arrived at the camp, I got out of the car to snap an image and was overcome by a strong sensation of a past life that was my own. I realized I was standing in the exact location of where a very graphic scene of my story took place. One I had conjured up in my mind months after leaving here for the last time.
But I was not just standing on that road up in the Adirondacks remembering this scene; I was standing in the road where my main characters were dealing with the end of days, protecting their families and friends. I could see the entrance to the Point down the road and feel the tension rising within, my back pressed against the bark of the oak tree, the Moss 10-gauge held along my thumping chest. I could hear the pick-up truck approaching, its tires crunching along the snow-packed gravel and the tick of the engine getting louder. Then taking a few quick breaths I stepped out into the road with one hand along the trigger, the other signaling the pickup to stop….
I walked over to that tree and held my hand against the bark then turned to look back along the gravel road. The smell of sulfur in the air seemed so real to me and I looked down at my feet expecting to see the litter of spent cartridge shells sizzling into the snow.
This is what I enjoy most about writing, dissolving into a hyper-reality where I am alongside my characters; watching and feeling everything they see and do. If I can go the real-world location and relive what took place there, then I know I have created the perfect scene.
It is hard to believe that five years ago, on this date in a NYC coffee shop on the upper east side, I started my writing career. You can see other frustrated writers around me, but this cozy place became the catalyst for putting pen to paper, or in my case, fingers to keypad. Since then, my debut novellas, November Seed& From Europa With Love, continue to have steady daily downloads on Amazon and the fan base, spread over eight countries, is still growing. So thanks to all who support and push me onwards.
For the past few years I have been working on a full-length novel called Silversides which takes place on Gliese 581 g. As a new writer, I discovered why only the most seasoned writers leave the planet to tell a story and why most extraterrestrials come to Earth to kick our ass… because when you leave the planet you have to invent everything. Along the way, I have written out weak characters and developed new ones, dragging along Kulcin who is the protagonist in, From Europa With Love. Writing is a process of one step forward, two back but I have made some great plot changes with refined twists and developed a new ending the reader will not see coming. Finally I can see the light at the end of the editing tunnel having received great feedback from Betabooks.co
I do not follow a linear path and have several other novels in the treatment stage that I am equally excited about, such as: HUM, Suicides Of Spring and Glycerine to name a few. Recently, I have joined forces with a fellow writer (G+’er) to compile a list of shorts we have written and put out onto various sites, such as: Offworlders.com (my favorite), Wattpad (where one of my shorts made it into their premiere eZine, TEVUN KRUS).and other author/reader sites. But it is G+ that has taught me to be a better writer because of the invaluable advice and knowledge learned and shared by such super cool folks.
Sargassum, as seen here in the curl of the wave, drifts ashore when the winds are steady, rolling into massive piles along the littoral zone, crucial for the ecology of barrier islands. Is it coincidence or by grand design that it is washing ashore during a super moon, when the highest of tides will push it further up onto the beach, trapping the sand with it to build up our dunes? Here in FL, there is a strong conservation not to clean this up as other states do for the benefit of tourism. A mistake. Some folks see this as an annoyance, their tender virgin feet having to touch it on their way to the water.
But Sargassum serves such an important role in the nurturing of juvenile species of marine life, some who will spend their entire lifecycle within the floating mass known as the Sargassum Sea. Sargassum is one of my favorite seaweeds in the class Phaeophyceae. In fact, my upcoming novel, Silversides, has most of the characters named after a class of macroalgae: Phaedra, Rhodes, Kora, Cody and my protagonist, Nori. Kulcin (main antagonist) on the other hand comes from a previous work,From Europa With Love, and what an antagonist he is. Of all the characters, he refuses to let me write his dialogue. Stuborn….
Writers are taught, “Write about what you know.” But Sargassum? It does not always need to be a subject matter that you are an expert in. What it does require is for you to connect with your story in terms that you are an expert in. In my case, once I named my characters after classes of seaweed, I was able to connect with those characters like never before and my story came to life.
EEven if you are not a writer, this is perhaps one of the most inspirational TED Talks I have ever watched (Anne Madden). It should make you think, something our media is trying to suppress.
I encourage every writer of sci-fi to watch and absorb. Listen and let your creativity loose, let it be the muse over your shoulder, pushing you to write that sci-fi great. I have, with my previous novellas (November Seedand From Europa With Love), both works inspired by my own research, as a former Marine Biologist, and having absorbed snippets from TED, Wired, Space.com, ZME Science or from posts by my fellow G+’ers (you guys and gals rock!)
Anne’s talk is bursting with hard sci-fi nibbles for a writer, such as: ‘A human devised solution‘ or ‘vaccinations for fear‘ or ‘beer made from wasps‘, her concepts come rapidly and I had to watch this talk a couple of times, hitting pause often to write down some ideas in my file, Book Of Ideas (every writer needs a file like this).
Finding ideas to write about is simple: The real universe exists within itself, as you will hear, but every writer of sci-fi, including myself, feels trapped sometimes, that every sci-fi plot has already been written. Maybe this is why we are seeing iteration after iteration of the same thing; just how many alien species can there be who has one primary objective and that is to kick Humanity’s ass? To break out of this monocular view, Anne says one thing that can turn us from this view: ‘Most of the life around us remains unknown‘ I love this statement. It is the one statement a writer of sci-fi should strip away and use as a mantra and be that break-away writer, typing out the next best seller.
Some of my own ideas that came from listening to this talk:
Anne states, ‘One cell is not a powerful alchemist,’ but a Novemdecillion (10 to the 60th) of them working together, are. Using the immortal template of Don LaFontaine, “In A World, under the dictatorship of a government controlled bacteria, where the true thought police of humanity, live within…” Think of what your protagonist could do against that?
What about a lab geek on a spinner (space station) who the crew loves and adores, because he or she can make exotic flavored beers from bacteria found on alien worlds, to break the monotony of their long hauls through space. But the beer that tastes like the finest wine, a silky smooth texture has hidden attributes (which I will leave it up to you what those attributes are… think along Anne’s line of, unknown.).
Or about a military deep-ops team on a planet, whose adversary is so ruthless that it strikes fear into even the most insane, psychotic, toughest bad-asses Earth could produce, but taking a mere pill that ‘vaccinates against fear’, albeit for only 1/2 hour, allows them to proceed. This is enough for you to create a scene so nerve-racking for your reader, because time is running out for a few due to someone losing the bottle of pills ……
In my current work in progress (Silversides), I dropped in a subplot (inspired by a TED Talk) of the backstory of my protagonist’s mother, Haruka Matsui, who plays a minor introductory part and who created a medical breakthrough, bioSketchers, for humanity’s final halt of natural selection, where controlling one’s DNA is just a cocktail away. My concept for this backstory has it’s roots in a TED talk, where the researcher was racing toward a final one-two punch of curing aids… But what if something we are on the cusp of eradicating is also the key that unlocks everything (aka, bioSketchers)? Although this is a very small chapter in Silversides, I know I’m coming back to it, where Haruka’s story and the story of bioSketchers will be told.
This is exactly what I have been looking for in a the mask that my characters in the novel, Silversides, wear when they first land on Gliese 581 g to protect themselves against biologicals they yet do not have immunities for. It is so awesome to finally have a clear image, which makes writing a bit easier. The real science fiction is behind the concept of this mask, an artist’s rendition, of the research coming out of Denmark for a new material synthesized from cobalt to extract and store oxygen eliminating the need of oxygen tanks. Now back to editing….
Excerpt from Silversides: Chapter Five
Kulcn stepped out from the shuttle with the bleed of oxygen rushing past him, the last of Earth’s oxygen as it diffused into the atmosphere. He paused to read the input on the lens before descending the ramp, and by the time his boots touched the ground the white microtiles of his suit and mask had turned a charcoal black to match the color of the sand. The other Silversides followed, their suits fluxing from the bottom up as if they had walked into a pool of black ink.
Originally reported by The Sun, Researches picked up an alien sound while their hydrophone was over the Mariana Trench. Although whale like in nature, it does not quite fit the patterns of what researchers already know. To listen to this sound, Click here. Initially, they thought it might be a mating call from whales, but they are thrown off by hearing this sound year round.
which seems to indicate it is a Baleen Whale…. but the article does end with… “more data needed….. ”
It does make for good Sci-Fi, especially now that I have been working on a treatment called HUM, which is about an alien life-form that was attracted to Earth by its sound. Yes, yes, I know… sound does not travel through space… but other signals do and who is to say what wavelengths aliens can hear.
My guess is that every writer of sci-fi has his or her special picking fields for ideas. One that I often go to is, ZME Science with their tag line: not exactly rocket science. I love this site for the richness of articles that cover everything from social to biological to astronomical and every thing between. There are so many great ideas out on the Internet to seed the mind of a sci-fi writer.
Here is an example and one that is quite interesting and quite resourceful on the part of the researchers; why make the machine that spins the thread, when it already exits. My hat is off to Yingying Zhang and her colleagues at Tsinghua University on this one.
So it got me thinking. I will use this concept in one of my works in progress titled, HUM
It’s about a former nuclear physicist who was fired from the Los Alamos Labs and is now on a federal watch list. He appeases a local barfly by following him to a cave where the barfly claims to have discovered a new species of bat. But what the barfly has discovered is not from Earth, setting the physicist on a crazy plan to save the planet from a hostile alien invasion, a plan no one is willing to listen to and one that will surely get him killed by the FBI, if he’s lucky…. for dying at the hands of the aliens would be ever lasting.
As hideous as I have already imagined my aliens, adding in the concept that they now have access to new materials has spurred my imagination to make my aliens even more horrifying.
13.8 billion years ago, at the onset of the Bing-Bang, primordial micro black holes the size of the period at the end of this sentence, may have formed. Assuming that is true, then they are like cosmic bullets boring a hole through the fabric of time, passing through anything and everything in their path. It’s a game of Galactic Roulette.
But stop, here. This is where it turns into Science Fiction. So as a writer of Sci-Fi, I look for articles like this and think about how to form a storyline from it and came up with a few possibilities.
Now or Never: The new doomsday weapon that no one has ever used and the protagonists/antagonists are locked in a political battle at a time when they actually need to use one. I will leave the outcome to you.
B train: Luke Killian was on his way to work, traveling downtown on the B Train in NYC when a micro black hole rode the track, taking the car and his fellow passengers with him. Where they were dropped off I will leave it up to you.
Whirl: (Hands off everyone…. this one I’m keeping for my own) A stubborn, slow-moving micro-black hole gets lodged in the ocean, just off of Atlantic City. A permanent whirlpool becomes an attraction and business opportunity for those with foresight that not even the Donald thought of. Blinded by greed, the consequences were not taken into account… the whirlpool is moving slowly toward shore.
Flush: Escaping from a maximum security colony on Xylon, through a micro black hole, the alien was deposited on Earth.
When I left Corporate America to become a writer, I had received some excellent advice from a partner at the firm I was employed by. He had shared with me his most guarded resource for good writing, one that he kept closely by his side, one that he often referred to while writing a legal brief – Fenimore Cooper’s Literary Offenses, by Mark Twain.
Upon leaving his corner office that day, he warned me. “Download it. Read it on your commute,” he said with a thin smile. “But be warned,” he added, “you will laugh out loud.”
He was right on both accounts. This is a brilliant piece of writing. Not only is this laugh out loud reading, it delivers so many important rules for a writer to follow. One of my favorite things to do is pump this piece through the persona of my IVONA text-to-speech engine, Amy–in her stoic British accent–who gets me to laugh while serving as my muse.
Below is an excerpt from Mark Twain’s observations of Fenimore Cooper’s work.
“There are nineteen rules governing literary art in domain of romantic fiction — some say twenty-two. In “Deerslayer,” Cooper violated eighteen of them. These eighteen require:” Here is my favorite from that list:
10. They require that the author shall make the reader feel a deep interest in the personages of his tale and in their fate; and that he shall make the reader love the good people in the tale and hate the bad ones. But the reader of the “Deerslayer” tale dislikes the good people in it, is indifferent to the others, and wishes they would all get drowned together.